This publication (one book, two cards and two booklets with texts by Mikey Cuddihy and Ian Heywood) takes ‘the assemblage as a starting point, (…) to generate an open textual-visual conversation, juxtaposing fragments of thought, written notes and provisional indices, with photographs of the paintings to which they refer, in situ, clustered, regrouped or standing alone, creating a narrative that indicates the paintings themselves as sites of enquiry.’ (ICFAR)